Cornelia Parker: Verso, The Whitworth, reviewed by Danielle Gravon
‘Cornelia Parker has always been attracted to the backs and undersides of things’ the museum wall-text for the exhibition begins. Verso explores a different life of art objects by revealing what is typically unseen. Forty-eight photographs of the backs of hand-sewn button cards hang in six clusters of eight along a narrow gallery on the … Continue reading Cornelia Parker: Verso, The Whitworth, reviewed by Danielle Gravon
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